BACK LOT MUSIC TO RELEASE STEVEN SPIELBERG’S DISCLOSURE DAY (ORIGINAL MOTION PICTURE SOUNDTRACK)

June 4, 2026

Soundtrack Available Now to Pre-Order Featuring the First Track, “listen…”

Music by Five-Time Academy Award® Winning Composer John Williams

The DISCLOSURE DAY Soundtrack Marks the 30th Collaboration between Spielberg and Williams, whose Work Together now Spans more than Five Decades of Cinema 

The DISCLOSURE DAY Soundtrack will be Released on June 12, The Same Day the New Thriller, from Universal Pictures and Amblin Entertainment, Arrives in Theaters Everywhere. 

LOS ANGELES, CA – June 4, 2026 – Back Lot Music announces the upcoming release of the DISCLOSURE DAY Original Motion Picture Soundtrack with music by legendary five-time Academy Award®-winning composer John Williams. Today, the first track, “listen…”, is available alongside the album pre-order. The album will be available in digital, CD & Vinyl in partnership with Waxwork Records on June 12, the same day that the Steven Spielberg film, from Universal Pictures and Amblin Entertainment, arrives in theaters worldwide.

To compose the music for DISCLOSURE DAY, Spielberg turned to his friend and longtime collaborator John Williams. The recipient of 54 Oscar nominations and winner of five (Fiddler on the RoofJawsStar WarsE.T. the Extra-Terrestrial, and Schindler’s List), Williams also scored Spielberg’s Close of the Encounters of the Third Kind, memorable for its iconic five-note tonal phrase used to communicate with the aliens. The Disclosure Day soundtrack marks Spielberg and Williams’ 30th cinematic collaboration.

“Can you believe this is our 30th movie together?” Spielberg says. “And John just turned 94, and he is as exceptional now as he was at 40. It is just remarkable, the depth and breadth of his career. DISCLOSURE DAY is probably the most restrained score he has ever written for one of our collaborations—at least until it is not. But until those moments, he holds back in a way that is subtle and beautiful and enriches the experience. It is like he is accompanying the film from slightly behind it, pushing it forward. Scoring is usually the last thing we do and I always say it is the reward for finishing a movie—the reward being getting to listen to a new John Williams score.”

ABOUT JOHN WILLIAMS
In a career spanning more than six decades, John Williams has become one of America’s most accomplished and successful composers for film and for the concert stage, and he remains one of our nation’s most distinguished and contributive musical voices. He has composed the music and served as music director for more than one hundred films, including all nine Star Wars films, the first three Harry Potter films, Superman, JFK, Born on the Fourth of July, Memoirs of a Geisha, Far and Away, The Accidental Tourist, Home Alone and The Book Thief. His more than five-decade artistic partnership with director Steven Spielberg has resulted in many of Hollywood’s most acclaimed and successful films, including Schindler’s List, E.T. the Extra-Terrestrial, Jaws, Jurassic Park, Close Encounters of the Third Kind, the Indiana Jones films, Munich, Saving Private RyanThe Adventures of TintinWar HorseLincoln, The BFG, The PostThe Fabelmans and DISCLOSURE DAY. 

Williams’ contributions to television music include scores for more than 200 television films for the groundbreaking, early anthology series Alcoa TheatreKraft Television Theatre, Chrysler Theatre and Playhouse 90, as well as themes for NBC Nightly News (“The Mission”), NBC’s Meet the Press, and the PBS arts showcase Great Performances. He also composed themes for the 1984, 1988, and 1996 Summer Olympic Games, the 2002 Winter Olympic Games. 

He has received five Academy Awards and fifty-four Oscar nominations, making him the Academy’s most-nominated living person and the second-most nominated person in the history of the Oscars. He has received seven British Academy Awards (BAFTA), twenty-seven Grammys, four Golden Globes, five Emmys, and numerous gold and platinum records. In 2003, he received the Olympic Order (the IOC’s highest honor) for his contributions to the Olympic movement. 

He received the prestigious Kennedy Center Honors in December of 2004. In 2009, Mr. Williams was inducted into the American Academy of Arts & Sciences, and he received the National Medal of Arts, the highest award given to artists by the U.S. Government. In 2016, he received the 44th Life Achievement Award from the American Film Institute – the first time in their history that this honor was bestowed upon a composer.

In 2020, he received Spain’s Princess of Asturias Award for the Arts as well as the Gold Medal from the prestigious Royal Philharmonic Society in the UK, and in 2022 he was awarded an honorary knighthood of the British Empire as one of the final awards approved by Her Majesty Queen Elizabeth II.
 
In January 1980, Mr. Williams was named nineteenth music director of the Boston Pops Orchestra, succeeding the legendary Arthur Fiedler. He currently holds the title of Boston Pops Laureate Conductor which he assumed following his retirement in December 1993 after fourteen highly successful seasons. He also holds the title of Artist-in-Residence at Tanglewood. 

Mr. Williams has composed numerous works for the concert stage, among them two symphonies, and concertos commissioned by several of the world’s leading orchestras, including a cello concerto for the Boston Symphony Orchestra, a bassoon concerto for the New York Philharmonic, a trumpet concerto for The Cleveland Orchestra, and a horn concerto for the Chicago Symphony Orchestra. In 2009, the Boston Symphony premiered his concerto for harp and orchestra entitled “On Willows and Birches”, and in the same year, Mr. Williams composed and arranged “Air and Simple Gifts” especially for the first inaugural ceremony of President Barack Obama.

In 2021, Williams premiered his second violin concerto with the Boston Symphony Orchestra at Tanglewood along with soloist Anne-Sophie Mutter, for whom he composed the work. Most recently he composed a new piano concerto for pianist Emanuel Ax, who premiered the work with the Boston Symphony Orchestra at Tanglewood in July 2025.

ABOUT DISCLOSURE DAY
If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? This summer, the truth belongs to eight billion people. Today is… Disclosure Day.

Universal Pictures is proud to release a new original event film created and directed by Steven Spielberg. The film stars SAG winner and Oscar® nominee Emily Blunt (OppenheimerA Quiet Place), Emmy and Golden Globe winner Josh O’Connor (ChallengersThe Crown), Oscar® winner Colin Firth (The King’s SpeechKingsman franchise), Eve Hewson (Bad SistersThe Perfect Couple) and two-time Oscar® nominee Colman Domingo (Sing SingRustin).

Based on a story by Steven Spielberg, the screenplay is by David Koepp, whose previous work with Spielberg includes the scripts for Jurassic ParkThe Lost World: Jurassic Park, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull. Combined, those films earned more than $3 billion worldwide. Koepp also wrote the script for 2025’s Jurassic World Rebirth.

Disclosure Day is produced by five-time Academy Award® nominee Kristie Macosko Krieger p.g.a. (The FabelmansWest Side Story) and by Steven Spielberg for Amblin Entertainment. The executive producers are Academy Award® winner Adam Somner and Chris Brigham.

Film Socials: Facebook | X | Instagram
Pre-Save or Pre-Order the Soundtrack Here: https://backlotmusic.ffm.to/disclosureday

TRACKLISTING:

1. listen…
2. memory…
3. dive…
4. chase…
5. believe…
6. in vivo…
7. negotiation…
8. empathy…
9. celestial…
10. unseen…
11. kcxe…
12. signs…
13. home…
14. caught…
15. disclosure…
16. reprise…
 

For more information, please contact:
Nikki Walsh, Back Lot Music
(818)-777-9151 | Nikki.Walsh@nbcuni.com